The B-52s faced a sea of raincoats, hats and umbrellas at Meijer Gardens on Friday.

Quirky doesn’t begin to describe the opening night of Frederik Meijer Gardens & Sculpture Park’s 10th summer concert series.

How about abnormally wet and extra-terrestrially weird?

Not only was Friday evening’s outdoor amphitheater show easily the worst-weather opener in the 10-year history of Meijer Gardens (the Doobie Brothers show delayed by storms a couple years ago ended up being a fine night), but I’m not sure the venue has ever come close to enduring the 50-degree chill and dampness that permeated its lawn seats.

Put it this way: It’s the first time I’ve ever had to wear my winter coat and gloves to a Meijer Gardens show, not to mention two pairs of socks. And I was still cold.

(It led to a fair number of no-shows for the sold-out concert, because the crowd clearly fell short of the amphitheater’s 1,900 capacity.)

Maybe that just made the deliciously goofy and revelry-friendly mix of music – The B-52s and Grand Rapids’ own Alexis – that much more entertaining, or as The B-52s might say: a “Party Out of Bounds” straight from the “Planet Claire.”

Shoot, at various times on Friday, I felt like I had landed on another planet, albeit a cold and wet one, you know, like Pluto, only with beer.

Matt Forbush and Dan Hurst of Alexis entertain a wet crowd.

If the weather alone was unusual (30 degrees cooler than it was in March), then the appearance of opening act Matt Forbush and Dan Hurst of Grand Rapids electro-pop phenomenon Alexis likely had some Meijer Gardens concertgoers even more befuddled, especially older visitors who’ve never seen the dance-infused duo at work.

Still, Forbush, with his grin-inducing but strangely hypnotic stage presence and aerobic frolicking, and Hurst, the keyboard mastermind behind the duo’s pop-powered electronica beats, eventually converted much of the crowd with their cheerful energy. It also helped their cause that Forbush confessed publicly to being a huge B-52s fan: “I have ‘Cosmic Thing’ on cassette,” he gushed at one point.

Despite rain that rolled in again after the opening set, sparking waves of multi-colored umbrellas to pop up everywhere, The B-52s had folks standing, bopping and swaying from the opening notes of their first song, “Eyes Wide Open.”

I’m not sure if fans were just trying to warm up their frozen toes, but many of them didn’t sit down for the remainder of the 1-hour-and-15-minute show which spotlighted the band’s most familiar hits – “Private Idaho,” “Roam,” “Love Shack” – while Fred Schneider stalked the stage in his fluorescent orange sportcoat with fellow singers Kate Pierson and Cindy Wilson.

That’s probably because The B-52s are the sort of band everybody would love to hire for a private party: They churn out rhythmic, danceable party rock, punctuated by Schneider’s goofy, tongue-in-cheek, spoken-word pronouncements and driven by top-notch veteran drummer Sterling Campbell and guitarist Keith Strickland.

Even if some vocals might have been strained at times by the frigid, inclement weather, credit The B-52s for igniting an opening-night bash and keeping it going amid adverse and uninviting conditions.

I’m guessing, in fact, that had this party been held on a hot summer night, Meijer Gardens probably would have set a record for beer sales. Cheers. Now, where’s my long underwear and some hot tea?

Read more about the upcoming Meijer Gardens season in the current issue of REVUE Magazine and in a piece Thursday at rapidgrowthmedia.com, when I’ll round up the Top 10 best concerts in the history of the outdoor amphitheater.

Email: jsinkevics@gmail.com

Afro Zuma, shown here playing at Founders, will surely get folks dancing at Festival on Friday.

As my old adage goes: So many bands on so many stages, and so little time.

That’s the quandary at Grand Rapids’ Festival of the Arts every year, though there are some rules of thumb for success when you’re heading downtown this weekend to fill your ears, eyes and stomachs.

For one thing, it’s hard to go wrong on just about any stage after 7 p.m. or so on Friday or Saturday night: That’s when some of the savviest and most established acts (aka, Festival vets) tend to crank things up, so it really depends more on your musical tastes than your finicky, overly demanding standards.

Then again, it might depend on whether you want to put up with a chance of rain and chilly temps.

Regardless, it’s hard to go wrong on FRIDAY with sets by familiar names after that time on the City Stage by rock’s Valentiger, Mr. Whooha and The Rockit King, or on the giant Calder Stage by The Schubert Male Chorus (choral music), Mind’s Eye (jazz) and The Outer Vibe (rock/pop), not to mention performances by 13th Hour (rock/pop/country) on the Fountain Stage and The Blue Water Ramblers (folk) on the Outer Fringe stage.

Left Hand Daisy

Same goes for SATURDAY, with the Grand Rapids Jazz Orchestra, Kent Philharmonia Orchestra and Conklin Ceili Band (Celtic) on the Calder Stage; the Steve Anzivino Electric Band (jazz), Alexis (super-fun electro-pop), Deadwood Stone (hard rock/metal) and Union Guns (country) on the Clock Tower Stage; rock’s The Mines and A.G. Silver on the City Stage; Left Hand Daisy (alt-rock/pop) on the Circle Stage or Amy Young & Friends (folk-rock) on the Fountain Stage.

So, I thought I’d just toss out a few under-the-radar picks for your evening weekend visits to Festival: artists with whom you might not be familiar but really should get to know, complete with links to their website or Facebook pages so you can preview their music. (Check out the full Friday-Sunday Festival schedule here.)

FRIDAY NIGHT
Afro Zuma, 5:30 p.m. Friday, Circle Stage: This 12-piece Afro-beat ensemble will knock your socks off, or at least get those socks bopping. (And if you’re more into progressive blues, then you should swing over to the City Stage for the Steve Hilger Band.)

Colin Tobin, 6:15 p.m. Friday, Fountain Stage: I went online to give a listen to this acoustic artist and former Kenowa High School student who won “The American Idol Experience” at Walt Disney World a couple years back and was duly impressed. Great vocals.

The Water Clocks

The Water Clocks, 8:30 p.m. Friday, Fountain Stage: I can’t help but hear vestiges of The Church when I hear this dreamy, melodic pop-rock group, and that’s definitely not a bad thing.

Mr. Mammoth, 9 p.m. Friday, Circle Stage: I’ve listened to the debut rock album by this seven-piece band of Rockford 18-year-olds and its inventiveness alone makes them worth checking out.

SATURDAY NIGHT
The Pistolbrides, 6 p.m. Saturday, Fountain Stage: I recently hosted the Pistolbrides on my Local Spins Live show and this pop-hued rock band creates truly infectious music.

The Jukejoint Handmedowns, 6:45 p.m. Saturday, Fountain Stage: Intriguingly, it’s described as “big tent country & western” music. But it’s also wildly entertaining retro-country stuff as their hook-filled debut album, “Everything But the Squeal,” proves.

Guitarist Neil Jacobs

Neil Jacobs, 9 p.m. Saturday, Outer Fringe Stage: It’s a shame more folks around here haven’t heard of Neil Jacobs, because this West Michigan musician is a world-class 12-string guitarist who will quite literally blow your mind. He’s a master at his craft, from folk to world music to classical to modern fingerstyle.

And for your post-Festival watering-hole entertainment, I got this Facebook message from Fred DeVries regarding veteran Grand Rapids musician Hal Beveridge playing Jukes on Leonard Street NW on Friday: “Hal Beveridge is … inviting all the bands that are playing Festival down to jam after they get done with their sets. I think he’s going to try and break his previous world record of 184 for the amount of musicians he can fit on a 10-by-14-foot stage.” Sounds like a record that might be fun trying to break at least. (And get to Jukes while you can before it closes. Read about that here.)

Lucas Wilson

Another option: Traipse on across the river to Butterworth Street SW on the West Side for a real romp of a good time: Chicago blues outfit Reverend Raven and the Chain Smokin’ Altar Boys play the Tip Top Deluxe Bar & Grill starting at 8 p.m. ($7 cover).

On Saturday, it’s hard to beat this double bill, which also happens to be a double CD-release party: Singer-songwriter Karisa Wilson and her cousin, rocker Lucas Wilson, will be performing at Founders Brewing Co., 235 Grandville Ave. SW, starting at 9 p.m. ($5 cover).

And if you’re willing to make the trip to Eastown from downtown, it’s worth it to check out Billy’s Lounge both nights after the Festival hoopla has wrapped up: At 9:30 p.m. Friday, Blue Molly brings its soulful blues and more to the club, with Lansing’s Root Doctor blues-ing it up on Saturday. Admission to both shows is $5.

Email: Jsinkevics@gmail.com

From left, Jay Round, Tom Davis and Mark Swanson of 13th Hour.

The guys in Grand Rapids rock band 13th Hour might consider this one scary statistic: They have more than 140 years of professional music experience between them.

But instead of ruing this sort-of-geezerly image, 13th Hour has turned this attribute into one of its most appealing strengths. Due to the four band members’ impressive musical resume and their wide-ranging and eclectic background, they’ve become one of West Michigan’s most versatile outfits, covering and harmonizing on a tome-sized catalog of popular tunes as well as writing a passel of original songs in “the place where pop, rock, folk and country meet.”

Suffice to say, guitarist-singer Ken Bierschbach, who has released four solo albums as well, guitarist-singer Mark Swanson, bassist-singer Jay Round and drummer Tom Davis are familiar faces playing “music the way you remember” (from The Beatles to The Eagles) at bars and venues throughout the Grand Rapids area, and each boasts a wealth of experience in different areas.

Bierschbach is a singer-songwriter who’s been performing for 25 years; Swanson is a longtime rock guitarist and well-respected luthier (guitar-maker) who helped form the country-rock band Horsefeather in the 1970s; Jay Round is a stringed-instrument wizard who made his mark as a young man in the folk, bluegrass and country scene (playing in Nashville with the likes of Grandpa Jones and others); and Tom Davis has toured and played with Clarence “Gatemouth” Brown, Roy Clark and others, crisscrossing the United States and Europe in the process.

Bierschbach and Swanson first started playing together as a duo 11 years ago, before adding the late Ron Hovingh as their bassist and performing as the group Party of Three. Jay Round joined the newly named 13th Hour in 2008, with Davis joined the group as its full-time drummer earlier this year, turning the group into quartet.

On Wednesday, Round, Swanson and Davis visited me in the studios of News Talk 1340 AM (WJRW) to talk about their busy performance schedule and play a catchy song written by Round, “Without a Trace.” You can hear the entire podcast here and watch the video of that performance below. (Watch last week’s featured artist here.)

That hectic gigging schedule, of course, includes this weekend’s sets at Festival of the Arts in downtown Grand Rapids, an event members of the band have played for many years. It starts with 13th Hour playing a primo “headlining” slot at 9:15 p.m. Friday on the Fountain Stage (which luckily is under a tent). Swanson also performs a solo set at 2:30 p.m. Saturday on the Outer Fringe stage, with Bierscbach following at 3:15 p.m. on the same stage (a stage where Round will be handling sound-mixing duties much of the weekend).

The foursome also will kick the weekend off early at 6 tonight (Thursday) when they play The Score, 5301 Northland Drive NE.

For more information about the band, check out its website and concert schedule here or its Facebook page.

Email: jsinkevics@gmail.com